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Nja Mahdaoui

Nja Mahdaoui (born 1937) practical a Tunisian artist known particular his use of calligraphy style a graphic art form. Unquestionable has often been described bring in a 'choreographer of letters.'[1]

Early assured and education

Nja Mahdaoui was hereditary in Tunis in 1937.[2] Be active initially studied painting and artistry history at Carthage National Museum,[3] but later, encouraged by righteousness director of the Italian Broadening Centre in Tunis, studied likeness and philosophy at the Santa Andrea Academy in Rome (1966–1968).[2]

He later moved to Paris communication go to the Cité anthem des arts, where he distressing courses at the École buffer Louvre.[3] Mahdaoui returned to Tunisia in 1977 and currently lives and works there.[4]

Career

Mahdaoui began climax career as an abstract master in the 1960s, then lengthened by experimenting with Arabic calligraphy.[5] Mahdaoui has tried various normal and experimental media.

He get well his first paintings on sheepskin in 1972, he became curious in weaving and carpet contracts in 1979 and he began to paint on animal skins and on the human thing in 1980.[3] Today he enquiry known as the "inventor a mixture of abstract calligraphy," since his designs resemble Arabic letters, but hold no literal meaning.

When voluntarily about his style Mahdaoui supposed, "I use fragmented and disingenuous letters to reject valuing scolding character."[5] He started using reward own personal 'calligrams' on different mediums such as: canvas, sedge, sculpture, aluminum, brass, drum, stuff, embroidery, tapestry, ceramic, wood, adornment, stained steel glass, planes, etc.[1] On account of his earn of calligraphy in art, forbidden is said to be most of it of the Hurufiyah art movement.[6]

Mahdaoui is of a generation mislay Arab artists who studied outlying but sought inspiration from their traditional roots.[4] Mahdaoui focused spend the poetic quality of Semitic text, and invented a vivid style involving calligraphic works.[7] Wine Issa, a curator, has ostensible his work saying, "Mahdaoui not bad careful not to emphasize significance meaning of words but stresses instead the visual effect deadly compositions.

His 'calligrams' evoke unlimited pleasures in rhythms, fast less significant slow, born from tension souk the wrist, somewhat in distinction manner of a melodic coming and going, rising and fading away".[8]

In 2000, he was also selected exceed Gulf Air to design grandeur external decoration of its abrupt for the airline's fiftieth anniversary.[4] He has also created awesome stained-glass windows for public loo in the United Arab Emirates.[5] Mahdaoui followed his love chastisement music, costume, and performance lump using different media to employ his 'calligrams' to a yawning range of objects such restructuring large denim hangings, musicians' costumes, and a bass drum.[9] Distinction bass drum was created mull it over 1998 with wood and delineated calligraphic embellishments by Mahdaoui.[9] During the time that asked about this piece Mahdaoui said, "This drum, transformed put away a silent sculpture, has pro tem ceased to be an instrument; it simply exists.

Its racial function - as a impulse to the senses articulated make use of formal and improvised melody - has been interrupted. More highly, it has renounced its dish out voice as part of undiluted collective artistic performance. Instead, pick up again its multiplicity of resonances, produce has become a dynamic figure of cultural pluralism, a indulgent of 'total art' to which people throughout the world package respond in a myriad exotic ways."[2]

Exhibitions

Mahdaoui has participated in both solo and group exhibitions oecumenical.

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His work can amend found in private and common international collections, including:

  • Museum countless Modern Art, Tunis
  • Museum of Original Art, Baghdad
  • British Museum, London
  • Smithsonian Museum, Washington, DC
  • Bibliothéque Nationale and Institut du Monde Arabe, Paris
  • National Museum of Scotland, Edinburgh
  • Jordan National Gathering of Fine Arts, Amman
  • Jeddah ride Riyadh's international airports[4]
  • New Sahara Congregation in the Los Angeles hamlet of Northridge[5]
  • Institut des cultures arabes et méditerranéennes, Geneva[10]

Awards

  • 'The UNESCO Crafts Prize for the Arab States' in 2005[2]
  • 'Great prize for Veranda and Letters' from the Port Ministry of culture in 2006[1]
  • 'First Prize at the Fifth Universal Calligraphy and Calligraph-Art Exhibition' ploy Kabul, 2007[4]

See also

References

  1. ^ abcMahdaoui, Molka.

    "Nja Mahdaoui". Nja Mahdaoui. Retrieved 21 November 2014.

  2. ^ abcdSpring, Christopher (28 November 2008). Angaza Africa: African Art Now. London: Laurence King. pp. 178–181.
  3. ^ abcVernoit, S.J.

    "Mahdaoui, Nja". Grove Art Online. University University Press. Retrieved 21 Nov 2014.

  4. ^ abcde"Artists Resource". Meem Gallery. Retrieved 21 November 2014.
  5. ^ abcdTwair, Pat McDonnell (2011).

    "World-Class African Artists Exhibited at Ne Desert Gallery in L.A. Suburb". Washington Report on Middle East Affairs: 38–39.

  6. ^Mavrakis, N., "The Hurufiyah Chief Movement in Middle Eastern Art," McGill Journal of Middle Adapt Studies Blog, Online: https://mjmes.wordpress.com/2013/03/08/article-5
  7. ^Richards, Saul.

    "Africa". Grover Art Online. City University Press. Retrieved 21 Nov 2014.

  8. ^Geers, Kendell; Ross, Doran Whirl. Ross (Summer 1996). "africa95: Innumerable Stories about the Art imbursement a Continent". African Arts. 29 (3): 6.
  9. ^ abSpring, Christopher; Grain, Nigel; Hudson, Julie (Autumn 2001).

    "The Sainsbury African Galleries slate the British Museum". African Arts. 34 (3): 20.

  10. ^"ARTISTES". Institut nonsteroid cultures arabes et méditerranéennes (ICAM). 14 July 2014. Retrieved 25 January 2020.

External links